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<cnt:chars><p>This image is remarkable different in theme than the opening miniature in Mss F. This image privileges the exemplary story that is related early in the text, that of Suzanna bathing. Instead of visually representing the transmission of the book from poet to prince, this image chooses to visually represent the didactic substance of the text.<br/></p></cnt:chars>
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<cnt:chars><p>Le vieillard, qui fait un geste de proposition vers Suzanne</p></cnt:chars>
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<cnt:chars><p>Richly attired, and seated on a formally on a throne. Behind him stands a guard, to the left, a person that appears to be in a religious order but who is also probably charged with guarding him. This religious person looks in the direction of the poet, who is represented as being not physically present at the scene.<br/></p></cnt:chars>
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<dc:title>Annotation on the figure of the Prince</dc:title>
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<cnt:chars><p>This is a richly decorated letter A, with some gold-leafing. This is in keeping with the upper bourgeois owner of this manuscript. <br/></p></cnt:chars>
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<cnt:chars><p>Un des vieillards</p></cnt:chars>
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<dc:title>BNF f. fr. 22545</dc:title>
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<cnt:chars><p>This appears to be a paige of some sort, who delivers the book on the part of the poet. This more accurately reflects what the poet writes, when he says that he has not written sooner because he did not have the means to deliver his work to the captive prince. <br/></p></cnt:chars>
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<cnt:chars><p>This appears to be the poet, who, interestingly, is visually depicted as being elsewhere, but nevertheless watching the scene where the messenger delivers his book to the imprisoned prince. <br/></p></cnt:chars>
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<cnt:chars><p class="">Transcription du texte:</p><p class=""><br/></p><p class=""><br/></p><p class="">Amis, a toy donner
confort </p>
<p class="">Ay meintes fois pensé
moult fort, </p>
<p class="">Et Dieus scet que je le
feroie, </p>
<p class="">Plus que ne di, se je
pouoie, </p>
<p class="">De très bon cuer et
volentiers; </p>
<p class="">Mais il n'est voie ne
sentiers </p>
<p class="">Qui mon oueil peiist
avoier </p>
<p class="">Que vers toy pelisse
envoier. </p>
<p class="">Nompourquant je
commenceray </p>
<p class="">Et, se Dieu plaist, je
fineray. </p>
<p class="">Comment que soies assez
sages </p>
<p class="">Pour toy garder, sans mes
messages </p>
<p class="">Et sans mes confors
recevoir. </p>
<p class="">Mais je le fais sans
décevoir </p>
<p class="">Pour t'amour et la
ramembrance </p>
<p class="">Que j'ay toudis de ta
grevence. </p>
<p class=""> Et par ma foy, quant a
ton fait,</p>
<p class=""> Je croy que tu n'as riens
meffait,</p>
<p class=""> Si t'en dois a Dieu
conforter</p>
<p class="">Et tes meschiés plus
biau porter. </p>
<p class=""> Sire, et se je t'apelle
amy,</p>
<p class="">N'en aies pieur cuer a my
;</p>
<p class=""> Car bien sçay que tu
esmes sires,</p>
<p class="">Et je des mieudres ne
des pires </p>
<p class=""> Ne suis, mais sans riens
retenir</p>
<p class=""> Sui tiens, quoy qu'il
doie avenir.</p>
<p class=""> N'encor pas nommer ne te
vueil</p>
<p class=""> Ne moy aussi, jusqu'à
mon vueil, </p>
<p class=""> Car je vueil mettre nos
deus nons</p>
<p class=""> Si proprement que feme
n'homs</p>
<p class=""> N'i porra riens oster ne
mettre</p>
<p class="">Qu'une sillabe et une
lettre; </p>
<p class=""> Mais on n'i puet riens
adjouster,</p>
<p class=""> Et pour ce les couvient
oster.</p>
<p class=""> Si osteras premièrementUne sillabe
entièrement</p>
<p class=""> Au commencier dou ver
onsieme</p>
<p class=""> Et une lettre dou disieme</p>
<p class=""> Près de la fin ; la les
saras,</p>
<p class="">Quant un petit y
museras. </p>
<p class=""> Einsi les met, se Dieus
m'aie,</p>
<p class=""> Seulement pour la
muserie.</p>
<p class=""> Et sces tu, quant on les
sara?</p>
<p class="">Quant ma dame
chevauchera. </p>
<p class=""> Si qu'amis, sans riens
controuver,</p>
<p class=""> Par exemples te vueil
prouver,</p>
<p class="">Qui sont contenu en la
Bible</p>
<p class="">Et qui sont a nous
impossible, </p>
<p class=""> Qu'adés cils qui en Dieu
se fie,</p>
<p class="">S'il a raison de sa
partie </p>
<p class="">Et s'il l'aimme, sert et
honneure, </p>
<p class="">Adés son fait vient au
desseure. </p>
<p class=""> Or commencerai ma matere</p>
<p class="">En suppliant Dieu nostre
père </p>
<p class="">Qu'il soit a mon
commancement, </p>
<p class="">Au moien et au
finement. </p>
<p class=""> Cils qui tout scet et qui
tout voit,</p>
<p class="">Qui tout gouverne et tout
pourvoit, </p>
<p class="">Qui ciel et air et terre
et mer </p>
<p class="">Et quanqu'on scet
dedens nommer,</p>
<p class=""> Tout ce qui est, fu et
sera,</p>
<p class="">Fist tout, et tout ce
deffera </p>
<p class="">A un terme qu'il y a mis,
</p>
<p class=""> N'oublie onques ses
bons amis,</p>
<p class=""> Eins les conseille et les
conforte</p>
<p class="">Et joie en misère leur
porte </p>
<p class="">Par mainte diverse
manière, </p>
<p class=""> Et s'aimme d'amour si
entière</p>
<p class=""> Qu'onques a confort ne
failli</p>
<p class="">Qui donna tout son cuer a
li. </p>
<p class="">Prouver le vueil par
l'Escripture </p>
<p class=""> Qui en pluseurs lieus
le figure.</p>
<p class=""> Jadis en Babiloinne avoit</p>
<p class="">Un homme qui maint bien
savoit.</p>
<p class=""> De grans richesses
renommés</p>
<p class="">Estoit; Joachin fu
nommez. </p>
<p class=""> Une femme ot en mariage</p>
<p class="">Qui fu très bêle, bonne
et sage, </p>
<p class="">Douce, courtoise et bien
aprise</p><p class="">Et duite en la loy de
Moyse.</p>
<p class=""> Susenne avoit a non la
dame,</p>
<p class="">Qui Dieu doubta de cuer
et d'ame, </p>
<p class=""> Joachim avoit un vergier</p>
<p class=""> Les sa maison,
qu'onques bergier</p>
<p class=""> Ne fist, car trop fu
delitables</p>
<p class="">Et a tous fruis de délit
ables. </p>
<p class="">Pour c'a grans tourbes y
aloient </p>
<p class=""> Li Juif et s'i
esbatoient.</p>
<p class=""> En celle année establi
furent</p>
<p class="">Doi juge ancien qui se
déçurent </p>
<p class="">Par luxure et par
couvoitise </p>
<p class=""> Qui maint mal engendre
et atise,</p>
<p class=""> Desquels Nostres Sires
parole</p>
<p class="">Et dit einsi en sa parole
: </p>
<p class="">« Des juges babyloniens </p>
<p class=""> Qui furent vieus et
anciens</p>
<p class=""> Et gouvernoient la cité</p>
<p class="">Issue est grant iniquité.
» </p>
<p class="">Cils doi la maison
frequentoient </p>
<p class=""> De Joachim et la
faisoient</p>
<p class=""> Leur edis, leur
commandemens,</p>
<p class="">Leurs consauz et leurs
jugemens. </p>
<p class="">Pour ce a eaus laiens
venoient </p>
<p class="">Tuit cil qui jugement
queroient.</p>
<p class="">Quant li pueples partis
s'estoit,</p>
<p class="">Lors en son vergier
s'esbatoit </p>
<p class="">Susannë avec ces pucelles
</p>
<p class="">Qui estoient gentes
et belles;</p>
<p class="">Si la veoient ombroier</p>
<p class="">Tous les jours et
esbanoier </p>
<p class="">Li vieillart plein
d'iniquité, </p>
<p class="">Si qu'en ordure et en
vilté,</p>
<p class=""> En ardeur, en
concupiscence,</p>
<p class="">Par désir, par foie
plaisence </p>
<p class="">Furent puis pour l'amour
de li, </p>
<p class="">Lors scens et raison
oublièrent</p>
<p class="">Et leurs yeus en terre
clinerent, </p>
<p class="">Afin que veoir ne
peùssent </p>
<p class=""> Le ciel et qu'en leur
cuer n'eussent</p>
<p class=""> Mémoire dou souverain
juge</p>
<p class="">Qui fait tout par raison
et juge. </p>
<p class="">Si qu'il visoient sans
séjour </p>
<p class=""> Que par un couvenable
jour</p>
<p class=""> La peùssent seule
trouver,</p>
<p class="">Si qu'on ne peiïst riens
prouver </p>
<p class="">De leur fait ne de leur
pensée. </p>
<p class=""> Un jour [estoit
Susenne alee</p>
<p class=""> En vergier en tele
manière</p>
<p class=""> Comme elle en estoit
coustumiere,</p>
<p class=""> O deus pucelles
seulement,</p>
<p class="">Car en vergier
secrètement </p>
<p class=""> Pour la chaleur qui
grande estoit</p>
<p class=""> Baingnier et laver se
voloit.</p>
<p class=""> Si leur dist : « Alez sans
targier</p>
<p class=""> Et cloez Fuis de ce
vergier </p>
<p class="">Et m'aportez oile a mon
vueil,</p>
<p class=""> Car laver et baingnier me
vueil. »</p>
<p class=""> Li vieillart reponnu
s'estoient</p>
<p class="">Ou vergier, et la la
gaitoient </p>
<p class=""> Que seule la peiissent
prendre.</p>
<p class=""> Quant seule fu, sans plus
attendre,</p>
<p class=""> Ynellement, les saus
menus,</p>
<p class="">En sont a Susanne
venus </p>
<p class=""> Et dirent : « Li vergiers
est clos,</p>
<p class=""> N'il n'a créature en cest
clos</p>
<p class="">Qui nous puist veoir
n'encuser,</p>
<p class="">Si ne dois mie
refuser </p>
<p class=""> A faire tout nostre
plaisir,</p>
<p class=""> Car lieu, temps en as et
loisir.</p>
<p class=""> Car par ta biauté sommes
pris</p>
<p class="">Et de t'amour forment
espris. </p>
<p class="">Fay dont ce que nous
requérons.</p>
<p class="">Se ne le fais, nous te
jurons</p>
<p class="">Que de toy dirons
tesmongnage </p>
<p class="">Au pueple et a tout
ton linage </p>
<p class=""> Qu'a toy gisant avons
trouvé</p>
<p class="">Un jouvencel ci tout
prouvé </p>
<p class="">Et pour l'amour dou
bacheler </p>
<p class="">En feïs tes femmes
aler. » </p>
<p class=""> Quant Susanne les
entendi,</p>
<p class=""> S'ame et son corps a Dieu
rendi ;</p>
<p class=""> Fort pleure, gemist, fort
se plaint</p>
<p class="">Et dist, en gettant
un grant plaint : </p>
<p class=""> « De toutes pars me tient
engoisse</p>
<p class=""> Qui mon cuer destreint et
engoisse.</p>
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<cnt:chars><p>Le jeune prophète Daniel qui un geste de la main pour condamner le vieillard lubrique. </p></cnt:chars>
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<dc:title>Transcription of fol. 98v</dc:title>
<cnt:chars><p>Lines 1-41<br/>Barton Palmer edition (based on Mss A)<br/><br/>Amis, a toy donner confort<br/>Ay meintes fois pensé moult fort,<br/>Et Diex scet que je le feroie<br/>Plus que ne di, se je pouoie<br/>De tres bon cuer et volentiers (5)<br/>Mais il n'est voie ne sentiers<br/>Qui mon oueil peust avoier<br/>Que vers toy peusse envoier.<br/>Nompourquant je commenceray<br/>Et, se Diex plaist, je fineray (10)<br/>Comment que soies assez sages<br/>Pour toy garder sans mes messages<br/>Et sans mes conforts recevoir.<br/>Mais je le fais sans decevoir<br/>Pour t'amour et la ramembrance (15)<br/>Que j'ay toudis de ta grevence<br/>Et par ma foy, quant a ton fait,<br/>Je croy que tu n'as riens meffait,<br/>Si t'en dois a Dieu conforter<br/>Et tes meschiés plus biau porter. (20)<br/>Sire, et si je t'appelle amy, <br/>N'en aies pieur cuer a my;<br/>Car bien scez que tu yès mes sires,<br/>Et je des mieudres ne des pires<br/>Ne suis, mais sans riens retenir (25)<br/>Sui tiens, quoy qu'il doie avenir<br/>N'encor pas nommer ne te veuil,<br/>Ne moy aussi jusqu'a mon vueil<br/>Car je vueil mettre nos .ii. nons<br/>Si proprement que feme n'homs (30)<br/>N'i porra riens oster ne mettre<br/>Qu'une sillabe et une lettre.<br/>Mais on n'i peut riens adjouster,<br/>Et pour ce les couvient oster.<br/>Si osteras premierement (35)<br/>Une sillabe entierement<br/>Au commencier dou ver onsieme<br/>Et une lettre dou disieme<br/>Pres de la fin; la les saras<br/>Quant .i. petit y museras. (40)<br/></p></cnt:chars>
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<cnt:chars><p>Miniature représentant l'auteur et son messager qui donne au roi le Comfort d'ami. Thème complètement différent du manuscrit précédent qui illustre le texte. Ici, mise en abime du texte. </p></cnt:chars>
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<cnt:chars><p>Here is Machaut's anagram to name both himself and his intended audience, Charles of Navarre.<br/></p></cnt:chars>
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<cnt:chars><p>Miniature. Le fond représente le verger dans lequel se trouve Suzanne,, espace clos cerné par un mur.</p></cnt:chars>
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<cnt:chars><p>Suzanne au bain, dans le verger</p><div><br/></div></cnt:chars>
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<cnt:chars><p>Lettre décorée, rouge et bleu. Luxe montrant l'appartenance du manuscrit à un membre de la haute noblesse, le duc de Berry. Le texte est ensuite réparti en 3 colonnes. écriture gothique.</p></cnt:chars>
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<dc:title>BNF f. fr. 22545 fol. 98 v.</dc:title>
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<cnt:chars><p>The book is small and bound--perhaps indicating personal, devotional use?<br/></p></cnt:chars>
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<cnt:chars><p>1. MS A – BnF, MS fr 1584, early 1370s
</p><p class="">parchment, gothic bookhand, over 500 folios, 31 x 22 (12.2 x
8.7)</p><p class="">Like with Mss Vg, Mss A has two images. The one in the top left corner shows the prince (with gold crown) leaning out of the window in tower, in which he is presumably imprisoned. The poet speaks to him, making a gesture with his two hands as if he is counting on his fingers. The second image, in the lower right-hand corner, shows God in the clouds. He holds an orb in his left hand, and gestures with his two fingers on the right hand--&gt;typical gestures that make me think this is Jesus, not the Father.<br/></p><p class=""><a href="http://gallica.bnf.fr/ark:/12148/btv1b84490444/f275.image" style="text-decoration: underline; ">http://gallica.bnf.fr/ark:/12148/btv1b84490444/f275.image</a></p><p class=""><br/></p><p class="">2. Mss. 994 (fragment in otherwise devotional context)</p><p class="">Large rubricated letter "A" opens the text, but other than that there are no decorations.<br/></p><p class=""><a href="http://gallica.bnf.fr/ark:/12148/btv1b8451102x/f71.image.r=994.langEN" style="text-decoration: underline; ">http://gallica.bnf.fr/ark:/12148/btv1b8451102x/f71.image.r=994.langEN</a></p><p class=""><br/></p><p class="">3. MS E – BnF, MS 9221, ca. 1390s</p>
<p class="">parchment, gothic bookhand, 245 folios, 3 column
arrangement, 40.6 x 30 (16 x 11.8)</p><p class="">Ms E presents a very different kind of image from Ms F--the prince and poet are dressed similary (long red gowns, the prince's is a more brilliant red, he is on the right, and he sports a crown). They stand in a walled garden, on opposite sides of a grey/white colored naked woman (Suzanne au bain). The woman is half covered by a water motif, and has her hands in prayer position. The prince points at the poet with his finger.<br/></p><p class=""><a href="http://gallica.bnf.fr/ark:/12148/btv1b6000795k/f209.image" style="text-decoration: underline; ">http://gallica.bnf.fr/ark:/12148/btv1b6000795k/f209.image</a></p><p class=""><br/></p><p class="">4. MS Vg – on loan at Cambridge, Corpus Christi, Ferrell 1, ca.
1370</p>
<p class="">parchment, gothic bookhand, 392 folios, 32 x 22 (12.6 x 8.7)</p><p class="">This image shows the poet handing a book to the prince. There are two guards behind the prince. The figure on the right side of the image in Mss F is missing in Mss Vg. Also, there is a second image in the bottom right hand corner, showing the poet speaking to the prince.<br/></p><p class=""><a href="http://www.diamm.ac.uk/jsp/AnnotationManager?imageKey=25301">http://www.diamm.ac.uk/jsp/AnnotationManager?imageKey=25301</a></p><p class=""><br/></p><p class="">5. Mss M--BnF 843</p><p class="">Later mss (1401 to 1500), of much poorer quality, no miniatures. The script is no longer gothic--perhaps lettre batarde?<br/></p><p class=""><a href="http://gallica.bnf.fr/ark:/12148/btv1b90591729/f127.zoom.r=machaut.langEN">http://gallica.bnf.fr/ark:/12148/btv1b90591729/f127.zoom.r=machaut.langEN</a><br/></p></cnt:chars>
<dc:title>Confort d'Ami opening folio in other Mss. contexts</dc:title>
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