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<!DOCTYPE HTML><html lang="en">
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<title>Genre Analysis and Corpus Design: Nineteenth-Century Spanish-American Novels (1830–1910)</title>
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<div class="w3-bar w3-theme w3-top w3-center w3-large"><a class="w3-bar-item w3-button w3-right w3-hide-large w3-hover-white w3-large w3-theme-l1" href="javascript:void(0)" onclick="w3_open()"><i class="fa fa-bars"></i></a><img src="img/side.jpg" class="header-image" alt="Institut für Dokumentologie und Editorik" width="100%" height="15"><h1 class="w3-center" style="margin-top: 27px; padding-left: 175px; font-size:calc(8pt + 1.2vw);"><a href="index.html">Genre Analysis and Corpus Design: Nineteenth-Century Spanish-American Novels (1830–1910)</a></h1><a href="https://www.i-d-e.de/"><img src="img/ide-logo.png" class="custom-logo w3-image" alt="Institut für Dokumentologie und Editorik" style="width:172px;height:auto;"></a></div>
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<nav class="w3-sidebar w3-padding-32 w3-bar-block w3-collapse w3-large w3-theme-l5 w3-animate-left" id="mySidebar"><a href="javascript:void(0)" onclick="w3_close()" class="w3-right w3-xlarge w3-padding-large w3-hover-black w3-hide-large" title="Close Menu"><i class="fa fa-remove"></i></a><a class="w3-bar-item w3-button w3-hover-blue-grey " href="index.html">Home</a><a class="w3-bar-item w3-button w3-hover-blue-grey " href="acknowledgements.html">Acknowledgements</a><button class="w3-button w3-block w3-left-align w3-hover-blue-grey w3-blue-grey" onclick="myAccFunc('menuAcc1')">Summary <i class="fa fa-caret-down w3-padding-small"></i></button><div id="menuAcc1" class="w3-bar-block w3-hide w3-white w3-card-4"><a href="summary.html#Summary" class="w3-bar-item w3-button w3-margin-left w3-hover-blue-grey">Summary</a><a href="summary.html#Resumen" class="w3-bar-item w3-button w3-margin-left w3-hover-blue-grey">Resumen</a><a href="summary.html#Zusammenfassung" class="w3-bar-item w3-button w3-margin-left w3-hover-blue-grey">Zusammenfassung</a></div><a class="w3-bar-item w3-button w3-hover-blue-grey " href="toc.html">Table of Contents</a><div class="w3-bar w3-border w3-dark-grey"></div><a id="menuch1" class="w3-bar-item w3-button w3-hover-blue-grey " href="ch1.html#ch1">1 Introduction</a><span id="menuch2" class="w3-hover-blue-grey w3-button w3-bar-item w3-block w3-left-align "><a href="ch2.html#ch2" style="text-decoration: none;">2 Concepts</a><i class="fa fa-caret-down w3-padding-small" style="z-index: 10;" onclick="myAccFunc('menuAccch2')"></i></span><div id="menuAccch2" class="w3-bar-block w3-hide w3-white w3-card-4 "><span id="menuch2.1" class="w3-hover-blue-grey w3-button w3-bar-item w3-block w3-left-align w3-margin-left"><a href="ch2.html#ch2.1" style="text-decoration: none;">2.1 Literary Genres</a><i class="fa fa-caret-down w3-padding-small" style="z-index: 10;" onclick="myAccFunc('menuAccch2.1')"></i></span><div id="menuAccch2.1" class="w3-bar-block w3-hide w3-white w3-card-4 w3-margin-left"><a id="menuch2.1.1" class="w3-bar-item w3-button w3-hover-blue-grey w3-margin-left" href="ch2.html#ch2.1.1">2.1.1 Disciplinary Locations of Genre Studies</a><span id="menuch2.1.2" class="w3-hover-blue-grey w3-button w3-bar-item w3-block w3-left-align w3-margin-left"><a href="ch2.html#ch2.1.2" style="text-decoration: none;">2.1.2 Ontological Status and Relevance of Genres</a><i class="fa fa-caret-down w3-padding-small" style="z-index: 10;" onclick="myAccFunc('menuAccch2.1.2')"></i></span><div id="menuAccch2.1.2" class="w3-bar-block w3-hide w3-white w3-card-4 w3-margin-left"><a id="menuch2.1.2.1" class="w3-bar-item w3-button w3-hover-blue-grey w3-margin-left" href="ch2.html#ch2.1.2.1">2.1.2.1 Semiotic Models of Genres</a><a id="menuch2.1.2.2" class="w3-bar-item w3-button w3-hover-blue-grey w3-margin-left" href="ch2.html#ch2.1.2.2">2.1.2.2 Genres and Digital Genre Stylistics: The Roles of Corpora, Genre Labels,
Features, and Text Style</a></div><span id="menuch2.1.3" class="w3-hover-blue-grey w3-button w3-bar-item w3-block w3-left-align w3-margin-left"><a href="ch2.html#ch2.1.3" style="text-decoration: none;">2.1.3 System and History</a><i class="fa fa-caret-down w3-padding-small" style="z-index: 10;" onclick="myAccFunc('menuAccch2.1.3')"></i></span><div id="menuAccch2.1.3" class="w3-bar-block w3-hide w3-white w3-card-4 w3-margin-left"><a id="menuch2.1.3.1" class="w3-bar-item w3-button w3-hover-blue-grey w3-margin-left" href="ch2.html#ch2.1.3.1">2.1.3.1 A Conceptual Proposal for Digital Genre Stylistics: Literary Text Types,
Conventional Literary Genres, and Textual Literary Genres</a><a id="menuch2.1.3.2" class="w3-bar-item w3-button w3-hover-blue-grey w3-margin-left" href="ch2.html#ch2.1.3.2">2.1.3.2 Text Types, Conventional Genres, and Textual Genres in Semiotic Models of
Generic Terms</a><a id="menuch2.1.3.3" class="w3-bar-item w3-button w3-hover-blue-grey w3-margin-left" href="ch2.html#ch2.1.3.3">2.1.3.3 Literary Currents, Schools, and Movements</a><a id="menuch2.1.3.4" class="w3-bar-item w3-button w3-hover-blue-grey w3-margin-left" href="ch2.html#ch2.1.3.4">2.1.3.4 Genre Systems and Hierarchies</a><a id="menuch2.1.3.5" class="w3-bar-item w3-button w3-hover-blue-grey w3-margin-left" href="ch2.html#ch2.1.3.5">2.1.3.5 Genre Identity and Variability</a></div><span id="menuch2.1.4" class="w3-hover-blue-grey w3-button w3-bar-item w3-block w3-left-align w3-margin-left"><a href="ch2.html#ch2.1.4" style="text-decoration: none;">2.1.4 Categorization</a><i class="fa fa-caret-down w3-padding-small" style="z-index: 10;" onclick="myAccFunc('menuAccch2.1.4')"></i></span><div id="menuAccch2.1.4" class="w3-bar-block w3-hide w3-white w3-card-4 w3-margin-left"><a id="menuch2.1.4.1" class="w3-bar-item w3-button w3-hover-blue-grey w3-margin-left" href="ch2.html#ch2.1.4.1">2.1.4.1 Logical Classes</a><a id="menuch2.1.4.2" class="w3-bar-item w3-button w3-hover-blue-grey w3-margin-left" href="ch2.html#ch2.1.4.2">2.1.4.2 Prototype Categories</a><a id="menuch2.1.4.3" class="w3-bar-item w3-button w3-hover-blue-grey w3-margin-left" href="ch2.html#ch2.1.4.3">2.1.4.3 Family Resemblance Networks</a></div>
</div><a id="menuch2.2" class="w3-bar-item w3-button w3-hover-blue-grey w3-margin-left" href="ch2.html#ch2.2">2.2 Style</a><span id="menuch2.3" class="w3-hover-blue-grey w3-button w3-bar-item w3-block w3-left-align w3-margin-left"><a href="ch2.html#ch2.3" style="text-decoration: none;">2.3 Subgenres of the Nineteenth-Century Spanish-American Novel</a><i class="fa fa-caret-down w3-padding-small" style="z-index: 10;" onclick="myAccFunc('menuAccch2.3')"></i></span><div id="menuAccch2.3" class="w3-bar-block w3-hide w3-white w3-card-4 w3-margin-left"><span id="menuch2.3.1" class="w3-hover-blue-grey w3-button w3-bar-item w3-block w3-left-align w3-margin-left"><a href="ch2.html#ch2.3.1" style="text-decoration: none;">2.3.1 Thematic Subgenres</a><i class="fa fa-caret-down w3-padding-small" style="z-index: 10;" onclick="myAccFunc('menuAccch2.3.1')"></i></span><div id="menuAccch2.3.1" class="w3-bar-block w3-hide w3-white w3-card-4 w3-margin-left"><a id="menuch2.3.1.1" class="w3-bar-item w3-button w3-hover-blue-grey w3-margin-left" href="ch2.html#ch2.3.1.1">2.3.1.1 <em>Novela histórica</em></a><a id="menuch2.3.1.2" class="w3-bar-item w3-button w3-hover-blue-grey w3-margin-left" href="ch2.html#ch2.3.1.2">2.3.1.2 <em>Novela de costumbres</em></a><a id="menuch2.3.1.3" class="w3-bar-item w3-button w3-hover-blue-grey w3-margin-left" href="ch2.html#ch2.3.1.3">2.3.1.3 <em>Novela sentimental</em></a></div><span id="menuch2.3.2" class="w3-hover-blue-grey w3-button w3-bar-item w3-block w3-left-align w3-margin-left"><a href="ch2.html#ch2.3.2" style="text-decoration: none;">2.3.2 Subgenres Related to Literary Currents</a><i class="fa fa-caret-down w3-padding-small" style="z-index: 10;" onclick="myAccFunc('menuAccch2.3.2')"></i></span><div id="menuAccch2.3.2" class="w3-bar-block w3-hide w3-white w3-card-4 w3-margin-left"><a id="menuch2.3.2.1" class="w3-bar-item w3-button w3-hover-blue-grey w3-margin-left" href="ch2.html#ch2.3.2.1">2.3.2.1 <em>Novela romántica</em></a><a id="menuch2.3.2.2" class="w3-bar-item w3-button w3-hover-blue-grey w3-margin-left" href="ch2.html#ch2.3.2.2">2.3.2.2 <em>Novela realista</em></a><a id="menuch2.3.2.3" class="w3-bar-item w3-button w3-hover-blue-grey w3-margin-left" href="ch2.html#ch2.3.2.3">2.3.2.3 <em>Novela naturalista</em></a></div>
</div>
</div><span id="menuch3" class="w3-hover-blue-grey w3-button w3-bar-item w3-block w3-left-align "><a href="ch3.html#ch3" style="text-decoration: none;">3 Corpus</a><i class="fa fa-caret-down w3-padding-small" style="z-index: 10;" onclick="myAccFunc('menuAccch3')"></i></span><div id="menuAccch3" class="w3-bar-block w3-hide w3-white w3-card-4 "><span id="menuch3.1" class="w3-hover-blue-grey w3-button w3-bar-item w3-block w3-left-align w3-margin-left"><a href="ch3.html#ch3.1" style="text-decoration: none;">3.1 Selection Criteria</a><i class="fa fa-caret-down w3-padding-small" style="z-index: 10;" onclick="myAccFunc('menuAccch3.1')"></i></span><div id="menuAccch3.1" class="w3-bar-block w3-hide w3-white w3-card-4 w3-margin-left"><span id="menuch3.1.1" class="w3-hover-blue-grey w3-button w3-bar-item w3-block w3-left-align w3-margin-left"><a href="ch3.html#ch3.1.1" style="text-decoration: none;">3.1.1 Boundaries of the Novel</a><i class="fa fa-caret-down w3-padding-small" style="z-index: 10;" onclick="myAccFunc('menuAccch3.1.1')"></i></span><div id="menuAccch3.1.1" class="w3-bar-block w3-hide w3-white w3-card-4 w3-margin-left"><a id="menuch3.1.1.1" class="w3-bar-item w3-button w3-hover-blue-grey w3-margin-left" href="ch3.html#ch3.1.1.1">3.1.1.1 Fictionality</a><a id="menuch3.1.1.2" class="w3-bar-item w3-button w3-hover-blue-grey w3-margin-left" href="ch3.html#ch3.1.1.2">3.1.1.2 Narrativity</a><a id="menuch3.1.1.3" class="w3-bar-item w3-button w3-hover-blue-grey w3-margin-left" href="ch3.html#ch3.1.1.3">3.1.1.3 Prose</a><a id="menuch3.1.1.4" class="w3-bar-item w3-button w3-hover-blue-grey w3-margin-left" href="ch3.html#ch3.1.1.4">3.1.1.4 Length</a><a id="menuch3.1.1.5" class="w3-bar-item w3-button w3-hover-blue-grey w3-margin-left" href="ch3.html#ch3.1.1.5">3.1.1.5 Independent Publication</a><a id="menuch3.1.1.6" class="w3-bar-item w3-button w3-hover-blue-grey w3-margin-left" href="ch3.html#ch3.1.1.6">3.1.1.6 Additional Criteria</a><a id="menuch3.1.1.7" class="w3-bar-item w3-button w3-hover-blue-grey w3-margin-left" href="ch3.html#ch3.1.1.7">3.1.1.7 A Working Definition of the Novel</a></div><a id="menuch3.1.2" class="w3-bar-item w3-button w3-hover-blue-grey w3-margin-left" href="ch3.html#ch3.1.2">3.1.2 Borders of Argentina, Cuba, and Mexico</a><a id="menuch3.1.3" class="w3-bar-item w3-button w3-hover-blue-grey w3-margin-left" href="ch3.html#ch3.1.3">3.1.3 Limits of the Nineteenth Century</a></div><span id="menuch3.2" class="w3-hover-blue-grey w3-button w3-bar-item w3-block w3-left-align w3-margin-left"><a href="ch3.html#ch3.2" style="text-decoration: none;">3.2 Bibliographical Database</a><i class="fa fa-caret-down w3-padding-small" style="z-index: 10;" onclick="myAccFunc('menuAccch3.2')"></i></span><div id="menuAccch3.2" class="w3-bar-block w3-hide w3-white w3-card-4 w3-margin-left"><a id="menuch3.2.1" class="w3-bar-item w3-button w3-hover-blue-grey w3-margin-left" href="ch3.html#ch3.2.1">3.2.1 Sources</a><a id="menuch3.2.2" class="w3-bar-item w3-button w3-hover-blue-grey w3-margin-left" href="ch3.html#ch3.2.2">3.2.2 Data Model and Text Encoding</a><span id="menuch3.2.3" class="w3-hover-blue-grey w3-button w3-bar-item w3-block w3-left-align w3-margin-left"><a href="ch3.html#ch3.2.3" style="text-decoration: none;">3.2.3 Assignment of Subgenre Labels</a><i class="fa fa-caret-down w3-padding-small" style="z-index: 10;" onclick="myAccFunc('menuAccch3.2.3')"></i></span><div id="menuAccch3.2.3" class="w3-bar-block w3-hide w3-white w3-card-4 w3-margin-left"><a id="menuch3.2.3.1" class="w3-bar-item w3-button w3-hover-blue-grey w3-margin-left" href="ch3.html#ch3.2.3.1">3.2.3.1 An Example</a><a id="menuch3.2.3.2" class="w3-bar-item w3-button w3-hover-blue-grey w3-margin-left" href="ch3.html#ch3.2.3.2">3.2.3.2 Levels of Subgenre Terms</a><a id="menuch3.2.3.3" class="w3-bar-item w3-button w3-hover-blue-grey w3-margin-left" href="ch3.html#ch3.2.3.3">3.2.3.3 Explicit and Implicit Subgenre Signals</a><a id="menuch3.2.3.4" class="w3-bar-item w3-button w3-hover-blue-grey w3-margin-left" href="ch3.html#ch3.2.3.4">3.2.3.4 Interpretive Subgenre Labels</a><a id="menuch3.2.3.5" class="w3-bar-item w3-button w3-hover-blue-grey w3-margin-left" href="ch3.html#ch3.2.3.5">3.2.3.5 Literary-Historical Subgenre Labels</a><a id="menuch3.2.3.6" class="w3-bar-item w3-button w3-hover-blue-grey w3-margin-left" href="ch3.html#ch3.2.3.6">3.2.3.6 A Discursive Model of Generic Terms</a></div>
</div><span id="menuch3.3" class="w3-hover-blue-grey w3-button w3-bar-item w3-block w3-left-align w3-margin-left"><a href="ch3.html#ch3.3" style="text-decoration: none;">3.3 Text Corpus</a><i class="fa fa-caret-down w3-padding-small" style="z-index: 10;" onclick="myAccFunc('menuAccch3.3')"></i></span><div id="menuAccch3.3" class="w3-bar-block w3-hide w3-white w3-card-4 w3-margin-left"><a id="menuch3.3.1" class="w3-bar-item w3-button w3-hover-blue-grey w3-margin-left" href="ch3.html#ch3.3.1">3.3.1 Selection of Novels and Sources</a><a id="menuch3.3.2" class="w3-bar-item w3-button w3-hover-blue-grey w3-margin-left" href="ch3.html#ch3.3.2">3.3.2 Text Treatment</a><span id="menuch3.3.3" class="w3-hover-blue-grey w3-button w3-bar-item w3-block w3-left-align w3-margin-left"><a href="ch3.html#ch3.3.3" style="text-decoration: none;">3.3.3 Metadata and Text Encoding</a><i class="fa fa-caret-down w3-padding-small" style="z-index: 10;" onclick="myAccFunc('menuAccch3.3.3')"></i></span><div id="menuAccch3.3.3" class="w3-bar-block w3-hide w3-white w3-card-4 w3-margin-left"><span id="menuch3.3.3.1" class="w3-hover-blue-grey w3-button w3-bar-item w3-block w3-left-align w3-margin-left"><a href="ch3.html#ch3.3.3.1" style="text-decoration: none;">3.3.3.1 TEI Header</a><i class="fa fa-caret-down w3-padding-small" style="z-index: 10;" onclick="myAccFunc('menuAccch3.3.3.1')"></i></span><div id="menuAccch3.3.3.1" class="w3-bar-block w3-hide w3-white w3-card-4 w3-margin-left"><a id="menuch3.3.3.1.1" class="w3-bar-item w3-button w3-hover-blue-grey w3-margin-left" href="ch3.html#ch3.3.3.1.1">3.3.3.1.1 Title and Publication Statements</a><a id="menuch3.3.3.1.2" class="w3-bar-item w3-button w3-hover-blue-grey w3-margin-left" href="ch3.html#ch3.3.3.1.2">3.3.3.1.2 Declaration of Rights</a><a id="menuch3.3.3.1.3" class="w3-bar-item w3-button w3-hover-blue-grey w3-margin-left" href="ch3.html#ch3.3.3.1.3">3.3.3.1.3 Source Description</a><a id="menuch3.3.3.1.4" class="w3-bar-item w3-button w3-hover-blue-grey w3-margin-left" href="ch3.html#ch3.3.3.1.4">3.3.3.1.4 Encoding Description</a><a id="menuch3.3.3.1.5" class="w3-bar-item w3-button w3-hover-blue-grey w3-margin-left" href="ch3.html#ch3.3.3.1.5">3.3.3.1.5 Abstracts</a><a id="menuch3.3.3.1.6" class="w3-bar-item w3-button w3-hover-blue-grey w3-margin-left" href="ch3.html#ch3.3.3.1.6">3.3.3.1.6 Text Classification with Keywords</a><a id="menuch3.3.3.1.7" class="w3-bar-item w3-button w3-hover-blue-grey w3-margin-left" href="ch3.html#ch3.3.3.1.7">3.3.3.1.7 Revision Description</a></div><span id="menuch3.3.3.2" class="w3-hover-blue-grey w3-button w3-bar-item w3-block w3-left-align w3-margin-left"><a href="ch3.html#ch3.3.3.2" style="text-decoration: none;">3.3.3.2 TEI Body</a><i class="fa fa-caret-down w3-padding-small" style="z-index: 10;" onclick="myAccFunc('menuAccch3.3.3.2')"></i></span><div id="menuAccch3.3.3.2" class="w3-bar-block w3-hide w3-white w3-card-4 w3-margin-left"><a id="menuch3.3.3.2.1" class="w3-bar-item w3-button w3-hover-blue-grey w3-margin-left" href="ch3.html#ch3.3.3.2.1">3.3.3.2.1 Typographically Marked Subdivisions of the Text</a><a id="menuch3.3.3.2.2" class="w3-bar-item w3-button w3-hover-blue-grey w3-margin-left" href="ch3.html#ch3.3.3.2.2">3.3.3.2.2 Typographically Highlighted Words or Phrases</a><a id="menuch3.3.3.2.3" class="w3-bar-item w3-button w3-hover-blue-grey w3-margin-left" href="ch3.html#ch3.3.3.2.3">3.3.3.2.3 Gaps</a><a id="menuch3.3.3.2.4" class="w3-bar-item w3-button w3-hover-blue-grey w3-margin-left" href="ch3.html#ch3.3.3.2.4">3.3.3.2.4 Verse Lines</a><a id="menuch3.3.3.2.5" class="w3-bar-item w3-button w3-hover-blue-grey w3-margin-left" href="ch3.html#ch3.3.3.2.5">3.3.3.2.5 Dramatic Text</a><a id="menuch3.3.3.2.6" class="w3-bar-item w3-button w3-hover-blue-grey w3-margin-left" href="ch3.html#ch3.3.3.2.6">3.3.3.2.6 Representations of Written Text</a><a id="menuch3.3.3.2.7" class="w3-bar-item w3-button w3-hover-blue-grey w3-margin-left" href="ch3.html#ch3.3.3.2.7">3.3.3.2.7 Quotations</a><a id="menuch3.3.3.2.8" class="w3-bar-item w3-button w3-hover-blue-grey w3-margin-left" href="ch3.html#ch3.3.3.2.8">3.3.3.2.8 Direct Speech and Thought</a><a id="menuch3.3.3.2.9" class="w3-bar-item w3-button w3-hover-blue-grey w3-margin-left" href="ch3.html#ch3.3.3.2.9">3.3.3.2.9 Embedded Texts</a></div><a id="menuch3.3.3.3" class="w3-bar-item w3-button w3-hover-blue-grey w3-margin-left" href="ch3.html#ch3.3.3.3">3.3.3.3 TEI Schema</a></div><a id="menuch3.3.4" class="w3-bar-item w3-button w3-hover-blue-grey w3-margin-left" href="ch3.html#ch3.3.4">3.3.4 Assignment of Subgenre Labels</a><a id="menuch3.3.5" class="w3-bar-item w3-button w3-hover-blue-grey w3-margin-left" href="ch3.html#ch3.3.5">3.3.5 Derivative Formats and Publication</a></div>
</div><span id="menuch4" class="w3-hover-blue-grey w3-button w3-bar-item w3-block w3-left-align "><a href="ch4.html#ch4" style="text-decoration: none;">4 Analysis</a><i class="fa fa-caret-down w3-padding-small" style="z-index: 10;" onclick="myAccFunc('menuAccch4')"></i></span><div id="menuAccch4" class="w3-bar-block w3-hide w3-white w3-card-4 "><span id="menuch4.1" class="w3-hover-blue-grey w3-button w3-bar-item w3-block w3-left-align w3-margin-left"><a href="ch4.html#ch4.1" style="text-decoration: none;">4.1 Metadata Analysis</a><i class="fa fa-caret-down w3-padding-small" style="z-index: 10;" onclick="myAccFunc('menuAccch4.1')"></i></span><div id="menuAccch4.1" class="w3-bar-block w3-hide w3-white w3-card-4 w3-margin-left"><a id="menuch4.1.1" class="w3-bar-item w3-button w3-hover-blue-grey w3-margin-left" href="ch4.html#ch4.1.1">4.1.1 On Representativeness</a><a id="menuch4.1.2" class="w3-bar-item w3-button w3-hover-blue-grey w3-margin-left" href="ch4.html#ch4.1.2">4.1.2 Authors</a><span id="menuch4.1.3" class="w3-hover-blue-grey w3-button w3-bar-item w3-block w3-left-align w3-margin-left"><a href="ch4.html#ch4.1.3" style="text-decoration: none;">4.1.3 Works</a><i class="fa fa-caret-down w3-padding-small" style="z-index: 10;" onclick="myAccFunc('menuAccch4.1.3')"></i></span><div id="menuAccch4.1.3" class="w3-bar-block w3-hide w3-white w3-card-4 w3-margin-left"><a id="menuch4.1.3.1" class="w3-bar-item w3-button w3-hover-blue-grey w3-margin-left" href="ch4.html#ch4.1.3.1">4.1.3.1 Comparison of Bib-ACMé and Conha19</a><a id="menuch4.1.3.2" class="w3-bar-item w3-button w3-hover-blue-grey w3-margin-left" href="ch4.html#ch4.1.3.2">4.1.3.2 Corpus-specific Overviews</a></div><a id="menuch4.1.4" class="w3-bar-item w3-button w3-hover-blue-grey w3-margin-left" href="ch4.html#ch4.1.4">4.1.4 Editions</a><span id="menuch4.1.5" class="w3-hover-blue-grey w3-button w3-bar-item w3-block w3-left-align w3-margin-left"><a href="ch4.html#ch4.1.5" style="text-decoration: none;">4.1.5 Subgenres</a><i class="fa fa-caret-down w3-padding-small" style="z-index: 10;" onclick="myAccFunc('menuAccch4.1.5')"></i></span><div id="menuAccch4.1.5" class="w3-bar-block w3-hide w3-white w3-card-4 w3-margin-left"><a id="menuch4.1.5.1" class="w3-bar-item w3-button w3-hover-blue-grey w3-margin-left" href="ch4.html#ch4.1.5.1">4.1.5.1 Explicit Signals, Implicit Signals, and Literary-Historical Labels</a><span id="menuch4.1.5.2" class="w3-hover-blue-grey w3-button w3-bar-item w3-block w3-left-align w3-margin-left"><a href="ch4.html#ch4.1.5.2" style="text-decoration: none;">4.1.5.2 Discursive Levels of Subgenre Labels</a><i class="fa fa-caret-down w3-padding-small" style="z-index: 10;" onclick="myAccFunc('menuAccch4.1.5.2')"></i></span><div id="menuAccch4.1.5.2" class="w3-bar-block w3-hide w3-white w3-card-4 w3-margin-left"><a id="menuch4.1.5.2.1" class="w3-bar-item w3-button w3-hover-blue-grey w3-margin-left" href="ch4.html#ch4.1.5.2.1">4.1.5.2.1 Theme</a><a id="menuch4.1.5.2.2" class="w3-bar-item w3-button w3-hover-blue-grey w3-margin-left" href="ch4.html#ch4.1.5.2.2">4.1.5.2.2 Literary Currents</a><a id="menuch4.1.5.2.3" class="w3-bar-item w3-button w3-hover-blue-grey w3-margin-left" href="ch4.html#ch4.1.5.2.3">4.1.5.2.3 Mode of Representation</a><a id="menuch4.1.5.2.4" class="w3-bar-item w3-button w3-hover-blue-grey w3-margin-left" href="ch4.html#ch4.1.5.2.4">4.1.5.2.4 Mode of Reality</a><a id="menuch4.1.5.2.5" class="w3-bar-item w3-button w3-hover-blue-grey w3-margin-left" href="ch4.html#ch4.1.5.2.5">4.1.5.2.5 Identity</a><a id="menuch4.1.5.2.6" class="w3-bar-item w3-button w3-hover-blue-grey w3-margin-left" href="ch4.html#ch4.1.5.2.6">4.1.5.2.6 Medium</a><a id="menuch4.1.5.2.7" class="w3-bar-item w3-button w3-hover-blue-grey w3-margin-left" href="ch4.html#ch4.1.5.2.7">4.1.5.2.7 Attitude</a><a id="menuch4.1.5.2.8" class="w3-bar-item w3-button w3-hover-blue-grey w3-margin-left" href="ch4.html#ch4.1.5.2.8">4.1.5.2.8 Intention</a></div><span id="menuch4.1.5.3" class="w3-hover-blue-grey w3-button w3-bar-item w3-block w3-left-align w3-margin-left"><a href="ch4.html#ch4.1.5.3" style="text-decoration: none;">4.1.5.3 Subgenre Labels Selected for Text Analysis</a><i class="fa fa-caret-down w3-padding-small" style="z-index: 10;" onclick="myAccFunc('menuAccch4.1.5.3')"></i></span><div id="menuAccch4.1.5.3" class="w3-bar-block w3-hide w3-white w3-card-4 w3-margin-left"><a id="menuch4.1.5.3.1" class="w3-bar-item w3-button w3-hover-blue-grey w3-margin-left" href="ch4.html#ch4.1.5.3.1">4.1.5.3.1 Primary Thematic Labels</a><a id="menuch4.1.5.3.2" class="w3-bar-item w3-button w3-hover-blue-grey w3-margin-left" href="ch4.html#ch4.1.5.3.2">4.1.5.3.2 Primary Literary Currents</a></div>
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</div><span id="menuch4.2" class="w3-hover-blue-grey w3-button w3-bar-item w3-block w3-left-align w3-margin-left"><a href="ch4.html#ch4.2" style="text-decoration: none;">4.2 Text Analysis</a><i class="fa fa-caret-down w3-padding-small" style="z-index: 10;" onclick="myAccFunc('menuAccch4.2')"></i></span><div id="menuAccch4.2" class="w3-bar-block w3-hide w3-white w3-card-4 w3-margin-left"><span id="menuch4.2.1" class="w3-hover-blue-grey w3-button w3-bar-item w3-block w3-left-align w3-margin-left"><a href="ch4.html#ch4.2.1" style="text-decoration: none;">4.2.1 Features</a><i class="fa fa-caret-down w3-padding-small" style="z-index: 10;" onclick="myAccFunc('menuAccch4.2.1')"></i></span><div id="menuAccch4.2.1" class="w3-bar-block w3-hide w3-white w3-card-4 w3-margin-left"><a id="menuch4.2.1.1" class="w3-bar-item w3-button w3-hover-blue-grey w3-margin-left" href="ch4.html#ch4.2.1.1">4.2.1.1 General Features: MFW</a><a id="menuch4.2.1.2" class="w3-bar-item w3-button w3-hover-blue-grey w3-margin-left" href="ch4.html#ch4.2.1.2">4.2.1.2 Semantic Features: Topics</a></div><span id="menuch4.2.2" class="w3-hover-blue-grey w3-button w3-bar-item w3-block w3-left-align w3-margin-left"><a href="ch4.html#ch4.2.2" style="text-decoration: none;">4.2.2 Categorization</a><i class="fa fa-caret-down w3-padding-small" style="z-index: 10;" onclick="myAccFunc('menuAccch4.2.2')"></i></span><div id="menuAccch4.2.2" class="w3-bar-block w3-hide w3-white w3-card-4 w3-margin-left"><span id="menuch4.2.2.1" class="w3-hover-blue-grey w3-button w3-bar-item w3-block w3-left-align w3-margin-left"><a href="ch4.html#ch4.2.2.1" style="text-decoration: none;">4.2.2.1 Classification</a><i class="fa fa-caret-down w3-padding-small" style="z-index: 10;" onclick="myAccFunc('menuAccch4.2.2.1')"></i></span><div id="menuAccch4.2.2.1" class="w3-bar-block w3-hide w3-white w3-card-4 w3-margin-left"><a id="menuch4.2.2.1.1" class="w3-bar-item w3-button w3-hover-blue-grey w3-margin-left" href="ch4.html#ch4.2.2.1.1">4.2.2.1.1 Thematic Subgenres</a><a id="menuch4.2.2.1.2" class="w3-bar-item w3-button w3-hover-blue-grey w3-margin-left" href="ch4.html#ch4.2.2.1.2">4.2.2.1.2 Literary Currents</a></div><span id="menuch4.2.2.2" class="w3-hover-blue-grey w3-button w3-bar-item w3-block w3-left-align w3-margin-left"><a href="ch4.html#ch4.2.2.2" style="text-decoration: none;">4.2.2.2 Family Resemblance: Network Analysis</a><i class="fa fa-caret-down w3-padding-small" style="z-index: 10;" onclick="myAccFunc('menuAccch4.2.2.2')"></i></span><div id="menuAccch4.2.2.2" class="w3-bar-block w3-hide w3-white w3-card-4 w3-margin-left"><a id="menuch4.2.2.2.1" class="w3-bar-item w3-button w3-hover-blue-grey w3-margin-left" href="ch4.html#ch4.2.2.2.1">4.2.2.2.1 Method</a><a id="menuch4.2.2.2.2" class="w3-bar-item w3-button w3-hover-blue-grey w3-margin-left" href="ch4.html#ch4.2.2.2.2">4.2.2.2.2 Data</a><a id="menuch4.2.2.2.3" class="w3-bar-item w3-button w3-hover-blue-grey w3-margin-left" href="ch4.html#ch4.2.2.2.3">4.2.2.2.3 Results</a></div>
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</div><a id="menuch5" class="w3-bar-item w3-button w3-hover-blue-grey " href="ch5.html#ch5">5 Conclusion</a><div class="w3-bar w3-border w3-dark-grey"></div><a class="w3-bar-item w3-button w3-hover-blue-grey " href="notes.html">Notes</a><a class="w3-bar-item w3-button w3-hover-blue-grey " href="references.html">References</a><button class="w3-button w3-block w3-left-align w3-hover-blue-grey" onclick="myAccFunc('menuAcc3')">Appendix <i class="fa fa-caret-down w3-padding-small"></i></button><div id="menuAcc3" class="w3-bar-block w3-hide w3-white w3-card-4 "><a class="w3-bar-item w3-button w3-margin-left w3-hover-blue-grey " href="corpus-sources.html">Sources of the Novels in the Corpus</a><a class="w3-bar-item w3-button w3-margin-left w3-hover-blue-grey " href="appendix-figures.html">Appendix of Figures</a><a class="w3-bar-item w3-button w3-margin-left w3-hover-blue-grey " href="index-figures.html">Index of Figures</a><a class="w3-bar-item w3-button w3-margin-left w3-hover-blue-grey " href="index-tables.html">Index of Tables</a><a class="w3-bar-item w3-button w3-margin-left w3-hover-blue-grey " href="index-examples.html">Index of Examples</a></div><button class="w3-button w3-hover-blue-grey w3-block w3-left-align" onclick="myAccFunc('menuAcc2')">Data and Scripts <i class="fa fa-caret-down w3-padding-small"></i></button><div id="menuAcc2" class="w3-bar-block w3-hide w3-white w3-card-4"><a href="https://github.com/cligs/bibacme" class="w3-bar-item w3-button w3-margin-left w3-hover-blue-grey">Bibliography (Bib-ACMé)</a><a href="https://github.com/cligs/conha19" class="w3-bar-item w3-button w3-margin-left w3-hover-blue-grey">Corpus (Conha19)</a><a href="https://github.com/cligs/scripts-nh/" class="w3-bar-item w3-button w3-margin-left w3-hover-blue-grey">Analysis Scripts (Scripts-nh)</a><a href="https://github.com/cligs/data-nh/" class="w3-bar-item w3-button w3-margin-left w3-hover-blue-grey">Analysis Data (Data-nh)</a><a href="tei/Henny-Krahmer_2023_Genre-Analysis-Corpus-Design.xml" class="w3-bar-item w3-button w3-margin-left w3-hover-blue-grey">TEI (Dissertation)</a></div>
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<div class="w3-col l8 m10 s10" id="Summary">
<h1>Summary</h1>
<p>This work in the field of digital stylistics and computational literary studies is
concerned with theoretical aspects of literary genre, with the design of a corpus
of
nineteenth-century Spanish-American novels, and with its empirical analysis in terms
of subgenres of the novel. The digital text corpus consists of 256 Argentine, Cuban,
and Mexican novels from the period between 1830 and 1910. It has been created with
the goal to analyze thematic subgenres and literary currents that were represented
in
numerous novels in the nineteenth century by means of computational text
categorization methods. The texts have been gathered from different sources, encoded
in the standard of the Text Encoding Initiative (TEI), and enriched with detailed
bibliographic and subgenre-related metadata, as well as with structural
information.</p>
<p>To categorize the texts, statistical classification and a family resemblance analysis
relying on network analysis are used with the aim to examine how the subgenres, which
are understood as communicative, conventional phenomena, can be captured on the
stylistic, textual level of the novels that participate in them. The result is that
both thematic subgenres and literary currents are textually coherent to degrees of
70–90 %, depending on the individual subgenre constellation, meaning that the
communicatively established subgenre classifications can be accurately captured to
this extent in terms of textually defined classes.</p>
<p>Besides the empirical focus, the dissertation also aims to relate literary
theoretical genre concepts to the ones used in digital genre stylistics and
computational literary studies as subfields of digital humanities. It is argued that
literary text types, conventional literary genres, and textual literary genres should
be distinguished on a theoretical level to improve the conceptualization of genre
for
digital text analysis.</p>
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<div class="w3-col l8 m10 s10" id="Resumen">
<h1>Resumen</h1>
<p>Este trabajo en el campo de la estilística literaria digital y los estudios
literarios computacionales se ocupa de las preocupaciones teóricas del género
literario, del diseño de un corpus de novelas hispanoamericanas del siglo XIX y de
su
análisis empírico en términos de subgéneros de la novela. El corpus de textos
digitales consta de 256 novelas argentinas, cubanas y mexicanas del período
comprendido entre 1830 y 1910. Ha sido creado con el objetivo de analizar los
subgéneros temáticos y las corrientes literarias que estaban representadas en
numerosas novelas del siglo XIX mediante métodos de categorización computacional de
textos. Los textos han sido recogidos de diferentes fuentes, codificados en el
estándar de la Iniciativa de Codificación de Textos (TEI), y enriquecidos con
detallados metadatos bibliográficos y de subgéneros, así como con información
estructural.</p>
<p>Para la categorización de los textos se utiliza una clasificación estadística y un
análisis de semejanza familiar basado en el análisis de redes, con el fin de examinar
cómo los subgéneros, entendidos como fenómenos comunicativos y convencionales, pueden
ser captados en el plano estilístico y textual de las novelas que participan en
ellos. El resultado es que tanto los subgéneros temáticos como las corrientes
literarias son textualmente coherentes en grados del 70–90 %, dependiendo de la
constelación individual de subgéneros, lo que significa que las clasificaciones de
subgéneros establecidas comunicativamente pueden ser capturadas con precisición hasta
este punto en términos de clases textualmente definidas.</p>
<p>Además del enfoque empírico, la disertación también pretende relacionar los conceptos
teóricos de género literario con los utilizados en la estilística de género digital
y
los estudios literarios computacionales como subcampos de las humanidades digitales.
Se argumenta que los tipos de texto literario, los géneros literarios convencionales
y los géneros literarios textuales deberían distinguirse a nivel teórico para mejorar
la conceptualización del género para el análisis de textos digitales.</p>
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<div class="w3-col l8 m10 s10" id="Zusammenfassung">
<h1>Zusammenfassung</h1>
<p>Diese Arbeit ist in den Forschungsfeldern der digitalen literaturwissenschaftlichen
Stilistik und der Computational Literary Studies angesiedelt und setzt sich mit
theoretischen Gattungsproblemen, mit der Erstellung eines Korpus von
hispanoamerikanischen Romanen des 19. Jahrhunderts und mit ihrer empirischen Analyse
nach Untergattungen auseinander. Das digitale Textkorpus umfasst 256 argentinische,
kubanische und mexikanische Romane aus der Zeit von 1830 bis 1910 und ist mit dem
Ziel erstellt worden, thematische Untergattungen und literarische Strömungen, die
im
19. Jahrhundert durch zahlreiche Romane repräsentiert waren, mit Hilfe
computergestützter Methoden der Textkategorisierung zu analysieren. Die Texte wurden
aus verschiedenen Quellen zusammengetragen und gemäß dem Standard der Text Encoding
Initiative (TEI) codiert, wobei die Dokumente mit detaillierten bibliographischen
und
untergattungsbezogenen Metadaten sowie mit textstrukturellen Informationen
angereichert wurden.</p>
<p>Um die Texte zu kategorisieren werden Verfahren der statistischen Klassifikation und
eine Familienähnlichkeitsanalyse verwendet, die auf einer Netzwerkanalyse basiert.
Das Ziel der Analysen ist es zu untersuchen inwieweit die Untergattungen, die primär
als Phänomene der Kommunikation und Konvention verstanden werden, auf der
stilistischen, textlichen Ebene der Romane, die an ihnen teilhaben, erfasst werden
können. Das Ergebnis ist, dass sowohl die thematischen Untergattungen als auch die
literarischen Strömungen zu 70–90 % textlich kohärent sind, in Abhängigkeit der
gewählten Untergattungskonstellation, womit gemeint ist, dass die kommunikativ
etablierten Untergattungsklassifikationen in diesem Maß an Genauigkeit auch als
textlich definierte Klassen erfasst werden können.</p>
<p>Über die empirische Ausrichtung hinaus ist ein weiteres Ziel der Dissertation,
literaturtheoretische Gattungskonzepte zu denjenigen in Beziehung zu setzen, die in
der digitalen Gattungsstilistik als einer Teildisziplin der Digital Humanities
verwendet werden. Es wird argumentiert, dass literarische Texttypen, konventionelle
literarische Gattungen und textliche literarische Gattungen auf einer theoretischen
Ebene unterschieden werden sollten, um die Konzeption von Gattung für die digitale
Textanalyse zu verbessern.</p>
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<p>Henny-Krahmer, Ulrike. 2023. <em>Genre Analysis and Corpus Design.
Nineteenth-Century Spanish-American Novels (1830–1910).</em> HTML version, v1.0.1.
Schriften des Instituts für Dokumentologie und Editorik 17. Berlin: IDE.
DOI: <a href="https://doi.org/10.5281/zenodo.8169081">10.5281/zenodo.8169081</a></p>
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